ComicFest 2024: book your seat!

There is now less than a week before the fabulous FREE event that is ComicFest 2024.

The excitement is building and we can’t wait for the fun to begin. Already several events are getting close to full capacity.

Seats may be available on the day, but booking in advance is the only way to guarantee a seat.

So, if you are keen to attend any of the events such as the marvelous panel: Sharing Te Ao Māori and Mātauranga Māori through Pukawaituhi with Isobel Joy Te Aho-WhiteMunro Te Whata and Daniel Vernon, hosted by Zak Waipara, or our amazing Keynote Address: Dr Mophead with Selina Tusitala Marsh – book now.

All events are free! Further event details, and our registration form, can be found here.

Te Tiriti: Te Whanganui-a-Tara, 29 April 1840

Te Tiriti books pictured against a backdrop of Te Whanganui-a-Tara

184 years ago, in early April 1840, Henry Williams arrived at Te Whanganui-a-Tara aboard the Ariel with sheet 8 of Te Tiriti to be signed by mana whenua. It took him 10 days to convince 34 Rangatira at ‘Port Nicholson’ to add their marks/signatures to the document.

Here are listed eight of the Rangatira and signatories who resided at Pipitea Pā: Te Rira Porutu, Tamati Te Matoha (Napuna), Wi Kingi Wairarapa, Te Ropiha Moturoa, Takata Ingo, Hohepa Kopiri, Reihana Reweti/Te Kamo, Te Kahu/Hone Te Iwikau/Matoha).

Te Wharepouri and Rawiri Matangi resided at Ngauranga; Ngatata-i-te-rangi at Kumutoto; Taringakuri, Te Whakakeko, Hore Pakihi – probably at Kaiwharawhara; Honiana Te Puni, Kopeka (Te Puni’s uncle), Rerewha-i-te-rangi (father of Honiana Te Puni), Pamariki Paaka at Pito One; Te Puakawe and Hirini Te Tute at Waiwhetū.

Eight or more local Rangatira eventually signed Sheet no. 8 at Queen Charlotte Sound and Manawatū. Te Manu Toheroa and Tu-te-rangi-pouri of Queen Charlotte Sound had close whānau links to Pipitea and Waiwhetū and Ngakirikiri was also closely associated with Waiwhetū Pā.

Wi Hape Pakau (Pipitea and Waiwhetū) signed the sheet at Manawatū.

Continue reading “Te Tiriti: Te Whanganui-a-Tara, 29 April 1840”

Needing and loving are two different things: New fiction

San Francisco Art GIF
Image via Giphy.

Needing and loving are two different things. ― Armistead Maupin, Further Tales of the City

Welcome to this month’s selection of recently acquired general fiction. For this month we have selected a rich carnival of new titles that span a colourful range of styles, subjects, periods in time and genres.

First up on the list we have two Aotearoa highlights in the form of Ruin: and other stories by Emma Hislop and Bird life by Anna Smaill. Next, we spread our wings and travel to the Cotswolds via the streets of San Francisco to enjoy the tenth instalment of the hugely popular Tales of the City series by Armistead Maupin, Mona of the manor. Then we have a chilling and scintillating horror set in a small town in Alberta called Bad Cree = Âcimowin by Jessica Johns. Continue reading “Needing and loving are two different things: New fiction”

Come draw with Dr. Mophead: Dr Selina Tusitala Marsh

Selina's self-portrait

One of the many highlights of this year’s ComicFest 2024 is sure to be the unmissable and interactive  session with Dr Mophead herself, the multi award-winning Dr Selina Tusitala Marsh. This fun session with one of Aotearoa’s most acclaimed artists is bound to untangle your drawing skills.

Come draw with Dr. Mophead!

Author photo of Selina Tusitala MarshIn this keynote session Dr Selina Tusitala Marsh will talk about the genesis of the latest bestselling book in her Mophead graphic memoir series, Wot knot YOU got? Mophead’s Guide To Life, and will share what she’s learned about herself, her drawing, and the human heart from working with more than 2,000 knotty questions she’s collected from kids of all ages. A fabulous fun event for fans of any age.

This event is FREE, but places are limited so booking is strongly recommended. Further event details and our registration form can be found here.

 

ComicFest 2024: 5 minutes with Dylan Horrocks

While we look forward to ComicFest 2024, meet Dylan Horrocks in this “5 minutes with” interview.

Dylan Horrocks self portrait
Self-portrait by Dylan Horrocks

What first got you interested in comics?

My dad had plenty of great comics in the house, and as soon as it was clear I had developed an obsession, he and my mum would bring home anything interesting they found. So I grew up reading Tintin and Asterix, but also compilations of Golden Age comics and early newspaper strips, but also weird underground comix, French comics magazines, histories of comics – all sorts of stuff. I started drawing my own comics in notebooks when I was very young; I loved drawing and I loved writing and making up stories, so comics was the perfect medium for me!

Continue reading “ComicFest 2024: 5 minutes with Dylan Horrocks”

The spectacular cinemas of Wellington

The Plaza Cinema, Manners Street, ATL Ref: 1/2-100179-G

For much of the 20th century, entertainment in Wellington was dominated by movies and movie theatres. Many of our early cinemas grew or were adapted from live theatres following the first screening of ‘motion pictures’ in the capital city in 1896.

Early films were often screened as part a programme of entertainment provided by vaudeville shows.

For the next decade, short films of around two to four minutes in length often became a part of local vaudeville shows where they would appear on a programme of entertainment along with live song and dance routines, magicians, jugglers and trained animal acts.  Interest in the new medium increased with the onset of the Boer War, with people clamouring to see footage of “our boys” in South Africa which followed the filming of troop departures from Wellington in 1900 (the oldest surviving film footage to be shot in New Zealand). Films also began to be shown in the Wellington Town Hall, as well as various community and church halls, but a new era began in 1910 when the Kings Theatre opened in Dixon Street as New Zealand’s first purpose-built cinema. Four years later it became the venue for the Wellington screenings of Hinemoa, New Zealand’s first (silent) feature film, with a musical accompaniment provided by the cinema’s own in-house orchestra. Though movies remained popular during the First World War, the conflict saw a resurgence in more community-focussed entertainment such as rallies, dances and mass-singing events. Restrictions on the supply of building materials during the war saw a halt to most cinema construction (the only significant theatre to open during this time was the Paramount in Courtenay Place in 1917), but the inter-war period which followed was to become the ‘Golden Age’ of movie theatres.

Continue reading “The spectacular cinemas of Wellington”